Inventorying
'I work mainly in intaglio printmaking, combining traditional techniques with photographic transfers, notes, and collages. This approach allows me to experiment freely, treating printmaking as a research process. I build meticulous layers of etching, then shift to quick, expressive gestures, applying acid with brushes, moving constantly between control and spontaneity. Each new print becomes a “laboratory” where meanings and forms interact, and the dialogue with the materiality of the matrix shapes the effects and discoveries that emerge.'